英文美文短篇初中

通过经典美文导读可以使中学生们陶冶情操,提高素养。下面我整理了初中简短英语美文，希望大家喜欢!

If you can keep your head when all about you

Are losing theirs and blaming it on you;

I f you can trust yourself when all men doubt you,

But make allowance for their doubting too;

If you can wait and not be tired by waiting,

Or, being lied about, don’t deal in lies,

Or, being hated, don’t give away to hating,

And yet don’t look too good, nor talk too wise;

If you can dream and not make dreams your master;

If you can think and not make thoughts your aim;

If you can meet with Triumph and Disaster

And treat those two imposters just the same;

If you can bear to hear the truth you’ve spoken

Twisted by knaves to make a trap for fools,

Or watch the things you gave your life to broken,

And stoop and build ’em up with worn-out tools;

If you can make one heap of all your winnings

And risk it on one turn of pitch-and toss

And lose, and start again at your beginnings

And never breathe a word about your loss;

If you can force your heart and nerve and sinew

To serve your turn long after they are gone,

And so hold on when there is nothing in you

Except the Will, which says to them: “hold on!”

If you can talk with crows and keep your virtue,

Or walk with kings nor lose the common touch;

If neither foes nor loving friends can hurt you;

If all men count with you, but none too much;

If you can fill the unforgiving minute

With sixty seconds’worth of distance run

Yours is the Earth and everything that’s in it,

And which is more you’ll be a Man, my son!

If you can keep your head when all about you

Are losing theirs and blaming it on you;

I f you can trust yourself when all men doubt you,

But make allowance for their doubting too;

If you can wait and not be tired by waiting,

Or, being lied about, don’t deal in lies,

Or, being hated, don’t give away to hating,

And yet don’t look too good, nor talk too wise;

If you can dream and not make dreams your master;

If you can think and not make thoughts your aim;

If you can meet with Triumph and Disaster

And treat those two imposters just the same;

If you can bear to hear the truth you’ve spoken

Twisted by knaves to make a trap for fools,

Or watch the things you gave your life to broken,

And stoop and build ’em up with worn-out tools;

If you can make one heap of all your winnings

And risk it on one turn of pitch-and toss

And lose, and start again at your beginnings

And never breathe a word about your loss;

If you can force your heart and nerve and sinew

To serve your turn long after they are gone,

And so hold on when there is nothing in you

Except the Will, which says to them: “hold on!”

If you can talk with crows and keep your virtue,

Or walk with kings nor lose the common touch;

If neither foes nor loving friends can hurt you;

If all men count with you, but none too much;

If you can fill the unforgiving minute

With sixty seconds’worth of distance run

Yours is the Earth and everything that’s in it,

And which is more you’ll be a Man, my son!

如果所有人都失去理智，咒骂你，

你仍能保持头脑清醒;

如果所有人都怀疑你，

你仍能坚信自己，让所有的怀疑动摇;

如果你要等待，不要因此厌烦，

为人所骗，不要因此骗人，

为人所恨，不要因此抱恨，

不要太乐观，不要自以为是;

如果你是个追梦人，不要被梦主宰;

如果你是个爱思考的人，不要以思想者自居;

如果你遇到骄傲和挫折

把两者当骗子看待;

如果你能忍受你曾讲过的事实

被恶棍扭曲，用于蒙骗傻子，

或者，看着你用毕生去看护的东西被破坏，

俯下身去，用破旧的工具把它修补;

如果你在赢得无数桂冠之后，

然后孤注一掷再博一次，

失败过后，东山再起，

不要抱怨你的失败;

如果你能迫使自己，

在别人走后，长久的坚守阵地，

在你心中已空荡荡无一物，

只有意志告诉你“坚持!”;

如果你与人交谈，能保持风度，

办王同行，能保持距离;

如果仇敌和好友都不害你;

如果所有人都指望你。却无人全心全意;

如果你花六十秒进行段程跑，

填满那不可饶恕的一分钟

你就可以拥有一个世界，

这个世界的一切都是你的，

更重要的是，孩子，你是个顶天立地的人。

个性的表露

A most curious and useful thing to realize is that one never knows the impression one is creating on otherpeople. One may often guess pretty accurately whether it is good, bad, or indifferent — some people render it unnecessary for one to guess, they practically inform one — but that is not what I mean. I mean muchmore than that. I mean that one has one's self no mental picture corresponding to the mental picture whichone's personality leaves in the minds of one's friends. Has it ever struck you that there is a mysterious individual going around, walking the streets, calling at houses for tea, chatting, laughing, grumbling, arguing, and that all your friends know him and have long since added him up and come to a definite conclusion about him — without saying more than a chance, cautious word to you; and that that person is you? Supposing that you came into a drawing room where you were having tea, do you think you would recognize yourself as an individuality? I think not. You would be apt to say to yourself as guests do when disturbed in drawing rooms by other guests: “Who's this chap? See ms rather queer. I hope he won't be a bore.” And yourfirst telling would be slightly hostile. Why, even when you meet yourself in an unsuspected mirror in the very clothes that you have put on that very day and that you know by heart, you are almost always shocked by the realization that you are you. And now and then, when you have gone to the glass to arrange your hair in the full sobriety of early morning, have you not looked on an absolute stranger, and has not that stranger piqued your curiosity? And if it is thus with precise external details of form, colour, and movement, what may it not be with the vague complex effect of the mental and moral individuality?

A man honestly tries to make a good impression. What is the result? The result merely is that his friends,in the privacy of their minds, set him down as a man who tries to make a good impression. If much depends on the result of a sing le interview, or a couple of interviews, a man may conceivably force another to accept an impression of himself which he would like to convey. But if the receiver of the impression is to have time at his disposal, then the giver of the impression may just as well sit down and put his hands in his pockets, for nothing that he can do will modify or influence in any way the impression that he will ultimately give. The real impress is, in the end, given unconsciously, not consciously; and further, it is received unconsciously, not consciously. It depends partly on both persons. And it is immutably fixed beforehand. There can be no final deception…

一件认识起来很奇异也很受益的事是，一个人常常不清楚别人对他的印象是什么。是好呢，是坏呢，还是不好不坏，这些倒是能够十分准确地猜测出来——有些人甚至没有必要让你去猜测，他们差不多就讲给你听了——但是我想要说的不是这个。我想要说的远不止这个。我想要说的是，一个人头脑中对自己的印象和他本人在他朋友们头脑中的印象，往往很不一致。你曾经想到这样的事吗?——世上有那么一个诡异的人，到处跑来跑去，上街访友，又说又笑，口出怨言，大发议论，他的朋友都对他很熟悉，对他早已知根知底，对他的看法早有定论——但除了偶尔且谨慎的只言片语外，平时却很少对你透露。而那个人就是你自己。比如，你走进一家客厅去喝茶，你敢说你便能认得这个人就是你自己吗?我看不一定。很可能，你也会像客厅里的客人那样，当你难以忍受其他客人的骚扰时心里就盘算说：“这是哪个家伙，真是怪异。但愿他少讨人嫌。”你的第一个反应就是略带敌意。甚至就连你突然在一面镜子前面遇到了你自己，穿的衣服也正是你心里记得很清楚的那天的服装，怎么样，你还是会因为认出了你是你这件事而感到吃惊。还有当你有时到镜子前去整理头发时，尽管是在最清醒的大清早时刻，你不是也好像瞥见一个完全陌生的人吗?而且这陌生人还让你颇为好奇呢。如果说连形式颜色动作这类外观准确的细节都是这样，那么对于像心智和道德这种不易把握的复杂效果又将怎样呢?

有人真心实意地去努力留下一个好印象。但结果怎样呢，不过是被他的朋友们在内心深处认为他是一个刻意给人留下好印象的人。如果一切只凭着单独会一次面或见几次面，——这个人倒很能迫使另一个人接受他本人希望造成的某种印象。但是如果接受印象的人有足够的时间来自由支配，那么印象的给予者就干脆束手静坐了，因为他的所有招数都丝毫改变不了或影响不了他最终所造成的印象。真正的印象是在结尾，是无意而不是刻意造成的。同时，它也是无意而不是刻意接受的。它的形成要靠双方，而且是事先就已经确定的，最终的欺骗是不可能的……

She Walks in Beautyby Lord Byron

《她在美中徜徉》，拜伦

She walks in beauty, like the night Of cloudless climes and starry skies;

她在美中徜徉，仿佛夜晚皎洁无云，繁星漫天;

And all that's best of dark and bright meet in her aspect and her eyes, thus mellowed to that tender light which heaven to gaudy day denies.

正如绝佳的暗与亮融汇于外貌与眼眸;醇化为如此柔和的光 -俗丽的白昼得不到的恩泽。

One shade the more, one ray the less, had half impaired the nameless grace which waves in every raven tress, or softly lightens o'er her face; where thoughts serenely sweet express how pure, how dear their dwelling place.

多一道阴影，少一缕光芒，都有损这难以言表的优雅。美飘扬在她丝丝乌发中，或微微闪亮于她的面庞。愉悦的思想在那里颂扬其来处何等纯净可人。

And on that cheek, and o'er that brow, so soft, so calm, yet eloquent;

那脸颊和眉宇那么温柔，那么平静，而且意味深长。

The smiles that win, the tints that glow, but tell of days in goodness spent;

折服人心的微笑，红润的色彩，诉说着度过的美好时光。

A mind at peace with all below, a heart whose love is innocent!

心态平和，与世无争，爱心永远纯真。