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The Wan education is the largest education group dedicated to the training of high-end capabilities to the student population. Wan University developed a number of revolutionary educational technology successfully broke through the bottlenecks inherent in traditional education, far more than conventional efficiency advanced model to help college students high-speed and greatly enhance a variety of important capabilities. Landmark innovation, Wanxue refresh a number of educational quality and performance history, creating an unprecedented development legend of the Chinese education sector. Ahead of the high-end technology and shine industry excellence, in February 2008, Wan education for the first time won the investment side of the world's largest venture capital fund Sequoia Capital (GOOGLE, Apple, Oracle, Yahoo and other famous enterprises) and Lenovo Group to jointly invest $ 20 million. In February 2011, Wan education was once again won the top U.S. investment institutions DCM, Sequoia Capital, Legend Capital, and the Phoenix Fund in Singapore joint investment of $ 20 million. The world's four investment funds, Wan huge investment to support Wanxue more effective R & D and high-end educational services for students. From the date of birth, school by virtue of the extraordinary spirit of science and education wisdom, a row won the Chinese authorities and the well-known media a number of top awards with the highest assessment, technology, quality and scale leapfrogged 50 17 10 000 educational institutions, thus breaking the 50 years history of the Chinese education sector.

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绝对是手翻的~~18世纪最为著名的戏剧芭蕾舞倡导者是法国的Jean George Noverre, 他的Letters on Dancing and Ballets(关于舞蹈与芭蕾的信函）在他生前和去世以后都影响了很多编舞作家。他提倡运用自然而易理解的动作并强调一场芭蕾的一切元素都应该和谐一致来表达芭蕾的主题。Noverre在德国的Stuttgert(地名）找到了实践他想法的机会，在那里他创作了他最著名的芭蕾剧，Medea and Jason. 当时，虽然舞者还只能在足尖上维持平衡一小会儿，但足尖的舞蹈已开始发展。芭蕾舞专用鞋（脚尖处特殊加强的鞋子）还没有被发明，舞者们只能自己用织物来加强普通的轻便舞鞋。 18世纪之前，芭蕾舞剧团已经存在于欧洲的很多国家，但经典芭蕾真正演化出其著名的轻捷质感却是在浪漫主（百度）义时期的巴黎，以瑞典裔意大利舞蹈家Marie Taglioni饰演 La Syphide是的精彩表现为起始。这场芭蕾是由她的父亲编舞，着重体现了她出众的轻盈和敏捷。这次演出异常成功。几年之内，此剧陆续在伦敦，柏林，纽约，圣彼得堡和维也纳巡演。它引发了当时芭蕾舞主题，风格，技术和服装上许多改变。同时，俄罗斯剧团也在圣彼得堡推出了由Marius Petipa编舞的Sleeping Beauty(睡美人),Swan Lake(天鹅湖)的部分曲目以及the Nutcracker(胡桃夹子） 芭蕾之所以能传遍世界，很大程度上要归功于芭蕾舞剧团的环球巡演和客串出演。舞者和舞蹈大师纷纷前往巴黎，科本哈根，圣彼得堡，纽约和伦敦这样的经典芭蕾中心。在这些城市，民族芭蕾舞风格由才华横溢活力充沛并有赞助商支持的编舞者们发展起来。像这样，当George Balanchine于四十年代年被艺术赞助商Licoln Kirstein邀请到美国建立纽约芭蕾舞剧团时，芭蕾便被出口到了美国。 不过浪漫主（百度）义芭蕾并不局限于以魔幻仙怪为主题。奥地利舞者Fanny Elssler推广了更贴近生活大众的舞蹈特点。她最著名的舞蹈卡楚恰单人舞，是配合响板出演的西班牙风格的独舞，她经常表演非常风格独特的民族舞蹈。 女性是浪漫主（百度）义芭蕾的主流。虽然也有不少优秀的男舞者，但他们往往被女芭蕾舞演员的光芒掩盖。