UPSILON宇普西龙
World, every minute in the event of a change, my home is no exception. In recent years, I witnessed the welcome home the changes that occurred. Mountain home have changed, the former bare "bread", has now become a green; the water home, and stinking of the past "龙须沟", has now become of the Qing Lingling; changed the way home used to the muddy terrain, "thoroughfares", now broad and straight into the asphalt; home house changed, the previous low shack, now a tall building; home field has changed, the previous large abandonment of large areas of the "golden land", has now become Wangsimni fragrance of the rice granary; home were changed, the former, trusting to luck, the farmer by day to eat, has now become not only the pursuit of material life and spiritual life of the modern pursuit of farmers the ... ... Home in a little bit and changing. Home in the changing day by day. I am opening their eyes widely and carefully observed, and carefully review found, and carefully to find a home ... ... wish to water the mountain changes, changes in plants, one of the changes, all into my mind and become part of my memories. Once upon a time, Zhang brother is a well-known in our village, "poor wretch." He lost both parents from an early age, married sister, he became orphans. His home clink sound poor, hungry three meals a day, all year round garments do not cover their bodies. Broken home, only three tile-roofed house, winter can not cover wind, not rain summer. Three-year-old person, or a bachelor, which girl does not think highly of smth him, no girl is willing to marry him. A few years ago, Chang several young brother and the village in Guangdong to work hard to earn three yuan. Back to the village, he contracted a team of fish ponds and orchards, the annual income of nearly sixty thousand. Now, Zhang brother not only built a small two-storey house, bought a high-grade furniture and household appliances, married a daughter-in-law, known as the "well-off home", and he also co-led the wealthy folks are fairly well-off, our village has become the big "get rich first place." Zhang brother said: "Now, the party's reform and opening-up policy so well, I must go off arm干一番事业is to create our own real good life!" Ah! I am pleasantly surprised to find that my home is undergoing rapid changes, our motherland has also undergone enormous changes taking place! Home change is a microcosm of the prosperity of the motherland! I love my lovely home!
果冻爱之梦
Lao She is modern novelist , dramatist of China.Originally known as Shu QingChun, the pseudonym has " giving up and giving " , " Lao She ". Novel " camel Xiangzi " , " family with 4 generations living together under one roof "; Modern drama "dragon must ditch ", "tea house ",etc.. The works are mostly taken from the urban citizen's life of lower floor, is good at using accurate and smooth spoken language of Beijing, style of writing humorous and witty, term quick-witted and good-looking . Unfortunately, Mr. Lao She can't bear standing throwing the lake and committing suicide in the Cultural Revolution diagracefully on August 24 , 1966.
翻滚的石榴
Pick to:" crescent moon" is Mr Lao She a win universal praise of good works. In this paper, analysis method of psychological interpretation, think" crescent moon" written on the one hand is a social tragedy, this is a writer through this story cries out for the old world. On the other hand is no parent in the world of the tragedy, in the text highlights from the two aspects of this tragedy no parent, that is on the mother 's deep feelings and profound understanding of abnormal money. In a way, this works even without the parent's tragedy overwhelmed the dominant exposure of social evils, so that works tend to be more rich psychological implication. Work reveals the fate of life of Lao She thought, it is the real works of aesthetic meaning lies, so that the" crescent moon" is beyond the generally reflect the social life and work, psychological projection by the author's unique works of construction of the unique aesthetic style, it has a lasting artistic charm, its desolate glory is bound to impress another batch of life dedicated readers.
贪吃的猫猫410
龙须沟作者老舍在不同时期有过不同的英文名,Lau Shaw(老舍),Colin C. Shu(舒庆春),S.Y. Shu(舒舍予),一般最常用的并且在英语国家翻译作品中通行的是 Colin C. Shu
安德鲁鱼
《老张的哲学》(长篇小说)1928,商务 《赵子曰》(长篇小说)1928,商务 《二马》(长篇小说)1931,商务 《文学概论讲义》(理论)1931,齐鲁大学文学院 《小坡的生日》(长篇小说)1934,生活 《猫城记》(长篇小说)1933,现代 《离婚》(长篇小说)1933、良友 《老舍幽默诗文集》1934,的代 《赶集》(短篇小说集)1934,良友 《樱海集》(短篇小说集)19Z9,人间 《蛤藻集》(短篇小说集)1936,开明 《老牛破车》(创作经验)1937,人间 《三团一》(曲艺集)1938,重庆独立出版公司 《骆驼祥子》(长篇小说)1939,人间;修改本,1955,人文 《火车集》(短篇小说集)1939,上杂 《残雾》(话剧)1940,商务 《文博士》(长篇小说,又名《选民》)1940,香港作者书社 《张自忠》(话剧)1941,华中图书公司 《大地龙蛇》(话剧)1941,国民图书出版社 《剑北篇》(诗集)1942,文艺奖金管理委员会出版部 《归去来兮》(话剧)1943,作家书屋 《国家至上》(话剧)与宋之的合著,1943,南方印书馆 《谁先到了重庆》(话剧)1943,重庆联友出版社 《桃李春风》(话剧,又名《金声玉报》)与赵清阁合著,l943,中西书局 《贫血集》(短篇小说集)1944.文聿出版社 《火葬》(长篇小说)1944,晨光 《惶惑》(长篇小说,是《四世同堂》第1部)1944,良友 《偷生》(长篇小说,是《四世同堂》第2部)1946,晨光 《东海巴山集》(短篇小说集)1946,新丰出版社 《微神集》(短篇小说集)1947,晨光 《月牙儿集》(短篇小说集)l948,晨光 《方珍珠》(话剧)1950:晨光 《龙须沟》(话剧)1951,大众 《老舍选集》1951,开明 《春华秋实》(话剧)1953,人文 《老舍短篇小说》19567,人文 《福星集》(散文集)1958,北京 《茶馆》(话剧)1958,戏剧 《上任》(短篇小说)1958,作家 《四世同堂》(长篇小说,又名《惶惑》、《偷生》、《饥荒》三部曲)上下册,1959,百花;l—3部,四川人民 《正红旗下》(长篇小说,遗著,未完) 《我这一辈子》(中篇小说) 《老舍小说集外集》1982,北京 《老舍文艺评论集》1982,安徽人民 《老舍选集》(1—4卷)1982,四川人民 《老舍戏剧全集》(1一4卷)1982,戏剧 《老舍新诗》1983,花山 《四世同堂补篇》(长篇小说)1983,百花 《老舍散文》1984,百花 《老舍经典作品选》2002,当代世界 《草原》 未知
翔雨lollipop
摘 要Abstract《月牙儿》是老舍先生一部脍炙人口的优秀作品。 The crescent son "is a popular Mr Lao she's good works. 本文用心理分析的方法解读,认为《月牙儿》书写的一方面是社会的悲剧,这是作家通过这个个故事呼喊出来的对于旧世界的控诉。 In this paper, using the method of psychological analysis, it argues that the crescent son "writing on the one hand is the tragedy of the society, it is through this story writer for the old world of shouted to come out of the charges. 另一方面又是无父世界的悲剧,在文本中从两个方面凸现了这种无父的悲剧,那就是对母亲的深沉的感情和对钱的异常深刻的认识。 On the other hand is the tragedy of the world without father, in the text from two aspects that have no father highlights the tragedy, that is, with the mother's deep feelings about money and the deep understanding of abnormal. 在某种程度上,作品中这种无父的悲剧甚至压倒了显性的对社会罪恶的揭露,从而使作品呈现更为丰富的心理内涵。 To some extent, in the works that have no father's tragedy even overwhelm the dominant on the social evils revealed, to make the work more abundant psychological connotation of the present. 作品展现了老舍对人生命运的思考,这才是作品真正的审美内涵之所在,所以说《月牙儿》是超越一般反映社会生活的作品,由作者独特的心理投射营建了作品独特的审美风格,使其具有了永恒的艺术魅力,其凄清的光辉必将打动一批又一批对生命执着的读者。 Works show the life of the fate of Lao she's thinking, this is the work of the aesthetic connotation real place, so says the crescent son "is over general reflect social life of the works, by the author of the unique psychological projection construction works of the unique aesthetic style, make its have the eternal artistic charm, and the glory of the sorrow will impress the group after group of clinging to the readers to life.
huangxinru7
"Crescent Moon" is the outstanding works of Lao She, a well-known. Psychoanalytic interpretation, that the "Crescent Moon" is written in one hand, a social tragedy, this is a writer, this story cries out for an indictment of the old world. On the other hand, is the tragedy of the parent-free world in the text highlights from the two aspects of this tragedy no parent, that is, the mother's deep emotional and unusually profound understanding of the money. In a way, this Father of the tragedy in the works and even overwhelm the dominant expose the social evils so that the works tend to be more psychological connotations. Show the works of Lao She's thinking on the fate of life, this is the works of real aesthetic connotation where "Crescent Moon" is beyond the generally reflect the social life of the works by the author's unique psychological projection construction works of a unique aesthetic style. it has a timeless charm of art, its melancholy glory is bound to impress one group after another of life dedicated readers.
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