lula不是luna
永不妥协的英文介绍：
Erin Brockovich (Julia Roberts) is a single mother who has experienced two divorces and dragged three children. After a very helpless traffic accident, this poor woman who is destitute, has neither a job nor a future is almost desperate.
In desperation, Erin had to plead with her lawyer ed Masri (Abbott Finney) to hire her to work in a law firm. One day, Erin accidentally found some very suspicious medical documents in a pile of documents about assets and liabilities, which caused her confusion and doubt.
With the support of ED, Erin began to investigate and quickly found clues. She found a major environmental pollution event hidden in the local community.
An illegal discharge of toxic sewage is damaging the health of residents and is the root cause of a fatal disease.
The terrible thing is that the residents were not aware of this, and even doubted Irene's conclusion at first, but soon they were moved by Irene's persistence and sense of responsibility. Everyone closely united under one goal.
Irene won the trust of all residents with her own actions and became their core and spokesman.
Neighbor George (Alan Eckhardt) is a firm supporter of Erin throughout the incident. Their love has become an important spiritual pillar to support Erin. Erin mobilized door-to-door and finally got the signature support of more than 600 people.
With the help of a large legal institution, Erin and ED finally obtained satisfactory compensation for the pollution incident, creating the largest amount of compensation in similar civil cases in American history, amounting to US $333 million.
With her incomparable tenacity and perseverance, Erin overcame unimaginable difficulties, proved the value of a "weak woman" to the world, and opened up a new world on the road of life.
The former beauty queen has been a yellow faced woman for six years. This sacrifice has brought about two divorces, less than $100 in savings, unable to pay the telephone bill, and urged by various bills.
But her kindness, her compassion, her sincerity and directness, her perseverance, go all out, let her finally get everyone's respect and succeed.
翻译：
埃琳·布罗克维奇（朱莉娅·罗伯茨饰）是一位经历了两次离婚并拖着三个孩子的单身母亲，在一次十分无奈的交通事故之后，这个一贫如洗，既无工作，也无前途的可怜妇女几乎到了走投无路的绝境。
万般无奈之下，埃琳只得恳求自己的律师埃德·马斯瑞（阿伯特·芬尼饰）雇用她，在律师事务所里打工度日。一天，埃琳在一堆有关资产和债务的文件中很偶然地发现了一些十分可疑的医药单据，这引起了她的困惑和怀疑。
在埃德的支持下，埃琳开始展开调查，并很快找到线索，发现了当地社区隐藏着的重大环境污染事件，一处非法排放的有毒污水正在损害居民的健康，是造成一种致命疾病的根源。
可怕的是居民们对此并未察觉，甚至起初对埃琳的结论表示怀疑，但是不久他们就被埃琳的执着和责任感打动了，大家在一个目标下紧紧地团结了起来，埃 琳用自己的行动赢得了全体居民的信任，成了他们的核心和代言人。
邻居乔治（阿伦·埃克哈特饰）在整个事件中是埃琳的一名坚定的支持者，他俩的爱情成了支持埃琳的重要精神支柱。埃琳挨家挨户的做动员工作，终于得到了600多个人的签名支持。
埃琳和埃德在一家大型法律事务机构的帮助下，终于使污染事件得到了令人满意的赔偿，创造了美国历史上同类民事案件的赔偿金额之最，达3.33亿美元。
埃琳正是用自己的无比坚韧的毅力，克服难以想象的困难，向世人证明了一个“弱女子”的价值，在人生的道路上开辟了一片新的天地。
曾经的选美皇后，竟然做了六年黄脸婆，这样的牺牲带来的是：两度离婚，存款不足一百美元，电话费交不起，被各种账单催着。但她的善良，她的怜悯，她的真诚直率，她的毅力，全力以赴，让她终于获得大家的尊重，走向成功。
以上内容参考：百度百科--永不妥协
桐叶封弟
The Nutshell: A feisty young woman, Erin Brockovich (Julia Roberts), arrives at the law offices of Ed Masry (Albert Finney) through the forces of Fate. A twice divorced mother of three with no employable skills, she badgers, cajoles and pleads with Masry to give her a job. He reluctantly hires her as a file clerk. After finding medical records in real estate files, she becomes a de facto investigator to uncover a large utility company's cover-up concerning the contamination of a small town's water supply. As the stakes get higher, the uneducated and untrained Erin must use her considerable wits and genuine empathy to the affected townsfolk to stay not only ahead, but in the game. As is apparent from the description, ERIN BROCKOVICH is film treading on the ground of earlier films. NORMA RAE has given us the gutsy, blue collar woman fighting the big corporation and THE VERDICT has shown us out-of-their-league lawyers having to face very daunting legal challenges. With the Harley-Davidson riding next door neighbor who volunteers (!) to watch her three kids, there's even a shade of MASK's sweet bikers thrown in to boot. When a film has so much past cinema history to compete in the audiences memory against, it has two choices: the minefield or paint-by-numbers. A writer and director could try to approach the story and film in a new way. They can avoid all the clichés and expectations, and go for something wholly original. But like in a minefield, one misstep and the film implodes from the twin anticipations from both the general audience and the cineastes lead to expect something more. Or, they can capitulate to the idea that there are few new options in presenting real-life stories and make sure they keep the those audience pleasing moment coming at a steady rate. Steven Soderbergh and writer Susannah Grant go the later, and hence, paint-by-numbers route. This is the Soderbergh who gave us OUT OF SIGHT more than the one responsible for THE LIMEY. There is nothing wholly original here in either the film's story line or how it's presented. In fact, BROCKOVICH is such a studio star vehicle he doesn't employ the non-linear editing of those last two films that was becoming his forte. Considering his last films and that his announced future projects are a remake of the piffle OCEAN'S 11 and a film version of the BBC TV show "Traffic" (about a drug enforcement chief finding out his daughter is a drug mule), Soderbergh seems to be following a one for the studio/one for himself approach to filmmaking. Too bad BROCKOVICH seems to be the studio pic he is doing before starting TRAFFIC. Allowed to work with a more realistic version of Erin (for comparison, pay close attention to the waitress early-on: it's the real Erin Brockovich doing a cameo) and not having to deal with the considerations that go hand in hand with working with someone of Robert's stature it would have been interesting see how different (and very possibly better) this could have been. This is a showy part and Roberts sinks her teeth into it. Roberts here will remind those who remember it of her breakthrough part in MYSTIC PIZZA - a film that had the bad luck of being a movie aimed at women before "chick flicks" became trendy recently. Definitely worth a rental. She is caustic, forceful and unpretentious. The only problem is Roberts brings so much baggage with her that she never makes the character seem unique. The part suffers from us never being surprised by a larger-than-life character because, well, it's Julia Roberts. It's a wonder why New Jersey Films didn't opt to try this as a low budget film showcasing an actress not as well known. Janet McTeer, who did a similar no-collar turn in TUMBLEWEEDS that prompted several critics to call hers THE performance of 1999, actually looks like the real Erin. Beginning what will hopefully be the start of a interesting late middle-aged phase of his career, Finney consistently infuses his character with the quirks and a real human tics that are just as consistently missing from Roberts performance. Those who were unlucky enough to catch the pointless and boring SIMPATICO (was there ever a more egregious waste of a good title?) will be excused from thinking his turn as the race horse voucher in that turgid film was a warm-up for Masry. As a man who has worked hard and been careful to arrive where he is in life, he had a helluva lot more to lose than Brockovich who is acting out of necessity. Instead of sounding shrill and selfish, Finney manages a nice balancing act between grounding him enough to be solid and letting him let Erin befuddle him. Its a shame that if anyone remembers the film next winter when the next awards season starts, it will be for the wrong performance. Universal left nothing to chance marketing BROCKOVICH, unfortunately for regular movie attendees. Every great zinger and most of the "You tell'em, girl!" moments are squandered in the trailers. For those who plunk down their $8.50 to discover what made Erin and her story worth telling find that the awfully nice folk in the Universal marketing department have made sure there is nothing new to discover. It's not hard to like BROCKOVICH. It moves deftly between the expanding professional life of its title character and the repercussions it is having on her home life. It makes a lot of smart choices in what to play up and what events can be skimmed over. As long as its treated as the feel good, unchallenging mainstream studio star vehicle it was fashioned to be, liking the film will come easy. Just don't expect anything deeper. As either a safe-bet outing at the multiplex or a rental half a year from now, ERIN BROCKOVICH is worth a look. But just remember Olympia Dukakis' retort to Cher in MOONSTRUCK - "Playing it safe is the dumbest thing a woman like you can do."
沙发里的土豆
"决不”、“绝不”词义辨析“决不”、“绝不”这两个词都是副词，都是表示否定。那么两者的差异在哪呢？“决不”偏重于主观的否定态度，表示坚决否定，具有强烈的主观感情色彩。“决不”就是“坚决不”的意思，对应的英语翻译单词是never。“绝不”则偏重于对客观事物否定的程度，表示完全否定。换言之就是“任何情况下都不”，“一丝一毫也不”。对应的英语翻译单词是nohownot 或者词组in the least。下面用例句说明：（1）决不退缩。（表示主观态度。不能用“绝不”。）（2）绝不相同。（表示对客观事物否定的程度。完全不相同，没有丝毫共同之处。）（3）决不允许任何国家干涉我国内政。（表示主观态度。）（4）部队所到之处纪律严明，秋毫无犯，绝不骚扰百姓。（表示客观否定程度。）“决不”“绝不”在有些情况下是可以通用的。比如：（1）我决不去。（“我”坚决不去，强调态度坚定。）（2）我绝不去。（“我”绝对不去，任何情况下都不会去。）我们再看下面一个设问句：“网络教育是否可能完全取代传统的学校（课堂）教育呢？决不可能！最多只能够部分取代。”这里表示态度坚决却又不是完全否定。所以只能用“决不”而不能用“绝不”。下面给几个练习，有兴趣的朋友可以自我测试一下。如果做对了就说明完全弄懂了两者的区别。如果错了，可以回过头来重新读一下上面的辨析和例句，一定也就会明白了。A. 决不 B.绝不（1） 过去干部下乡都自带干粮，（）给老乡增加负担。（2） 一定要完善监督机制，（）让腐败分子有机可乘。（3） 你能原谅他吗？（）原谅！参考答案（1）选B，强调客观否定，一点也不给老乡增加负担。（2）选A,强调主观态度，坚决不给腐败分子机会。（3）选AB均可，A偏重主观态度，坚决不原谅。B偏重客观否定程度，丝毫也不原谅，一点也不原谅。
