我是漂亮小小妞
提升英语阅读能力是我们学习英语的关键，下面我为大家带来英语阅读小文章，希望大家喜欢!
The expensive shops in a famous arcade near Piccadilly were just opening. At this time of the morning, the arcade was almost empty. Mr Taylor, the owner of a jewellery shop was admiring a new window display. Two of his assistants had been working busily since 8 o'clock and had only just finished. Diamond necklaces and rings had been beautifully arranged on a background of black velvet. After gazing at the display for several minutes, Mr Taylor went back into his shop.
The silence was suddenly broken when a large car, with its headlights on and its horn blaring, roared down the arcade. It came to a stop outside the jeweler's. One man stayed at the wheel while two others with black stockings over their faces jumped out and smashed the window of the shop with iron bars. While this was going on, Mr Taylor was upstairs. He and his staff began throwing furniture out of the window. Chairs and tables went flying into the arcade. One of the thieves was struck by a heavy statue, but he was too busy helping himself to diamonds to notice any pain. The raid was all over in three minutes, for the men scrambled back into the car and it moved off at a fantastic speed. Just as it was leaving, Mr Taylor rushed out and ran after it throwing ashtrays and vases, but it was impossible to stop the thieves. They had got away with thousands of pounds worth of diamonds.
皮卡迪利大街附近的一条著名拱廊街道上，几家高档商店刚刚开始营业。在早晨的这个时候，拱廊街上几乎空无一人。珠宝店主泰勒先生正在欣赏新布置的橱窗。他手下两名店员从早上8点就开始忙碌，这时刚刚布置完毕。钻石项链、戒指漂亮地陈列在黑色丝绒上面。泰勒先生站在橱窗外凝神欣赏了几分钟就回到了店里。
宁静突然被打破，一辆大轿车亮着前灯，响着喇叭，呼啸着冲进了拱廊街，在珠宝店门口停了下来。一人留在驾驶座上，另外两个用黑色长筒丝袜蒙面的人跳下车来。他们用铁棒把商店橱窗的玻璃砸碎。这开始发生时，泰勒先生正在楼上。他与店员动手向窗外投掷家具，椅子，桌子飞落花流水在拱廊街上。一个窃贼被一尊很重的雕像击中，但由于他忙着抢钻石首饰，竟连疼痛都顾不上了。这场抢劫只持续了3分钟，因为窃贼争先恐后地爬上轿车，以惊人的速度开跑了。就在轿车离开的时候，泰勒先生从店里冲了出来，跟在车后追赶，一边还往车上扔烟灰缸、花瓶。但他已无法抓住那些窃贼了。他们已带着价值数千镑的首饰逃之夭夭了。
Yesterday afternoon Frank Hawkins was telling me about his experiences as a young man. Before he retired, Frank was the head of a very large business company, but as a boy he used to work in a small shop. It was his job to repair bicycles and at that time he used to work fourteen hours a day. He saved money for years and in 1958 he bought a small workshop of his own. In his twenties Frank used to make spare parts for aeroplanes. At that time he had two helpers. In a few years the small workshop had become a large factory which employed seven hundred and twenty-eight people. Frank smiled when he remembered his hard early years and the long road to success. He was still smiling when the door opened and his wife came in. She wanted him to repair their grandson's bicycle!
昨天下午弗兰克·霍金斯向我讲述了他年轻时的经历。在他退休之前，弗兰克是一家非常大的事务公司头，但作为一个男孩，他曾经工作在一个小商店。他的工作是修理自行车，那时他一天工作十四小时。他积蓄多年，并在1958他买了属于自己的小作坊。在他二十几岁的弗兰克曾生产飞机零配件。那时他有两个帮手。在几年的小作坊已经成为一个雇用七百二十八人的大工厂。弗兰克回想着他早年的艰难经历和走过的漫长的成功之路。他正笑着的时候，门开了，他的妻子走了进来。她叫他去修理他们孙子的自行车!
Nearly a week passed before the girl was able to explain what had happened to her. One afternoon she set out from the coast in a small boat and was caught in a storm. Towards evening, the boat struck a rock and the girl jumped into the sea. Then she swam to the shore after spending the whole night in the water. During that time she covered a distance of eight miles. Early next morning, she saw a light ahead. She knew she was near the shore because the light was high up on the cliffs. On arriving at the shore, the girl struggled up the cliff towards the light she had seen. That was all she remembered. When she woke up a day later, she found herself in hospital.
爱笑的眼乌珠
艺术是一个开放的、流动的体系,艺术的含义是变化的,没有固定不变的艺术规则。下面是我带来的关于艺术的英语 文章 阅读，欢迎大家阅读!关于艺术的英语文章阅读篇一 生活的艺术The art of living is to know when to hold fast and when to let go.For life is a paradox: it enjoins us to cling to its many gifts even while it ordains their eventual relinquishment. The rabbis of old put it this way:”A man comes to this world with his fist clenched, but when he dies, his hand is open. ” Surely we ought to hold fast to lift, for it is wondrous, and full of a beauty that breaks through every pore of God’s own earth. We know that this is so,but all too often we recognize this truth only in our backward glance when we remember what was and then suddenly realize that it is no more. We remember a beauty that faded, a love that waned. But we remember with far greater pain that we did not see that beauty when it flowered, that we failed to respond with love when it was tendered. Hold fast to life but not so fast that you cannot let go. This is the second side of life’s coin, the opposite pole of its paradox: we must accept our losses, and learn how to let go. 译文： 生活的艺术在于懂得什么时候追求，什么时候放弃。因为生活就是一个矛盾体：它要我们紧紧抓住它赐予我们的生命之礼，然后最终又让它们从我们手中跑掉。老先生们说：“人们紧握着拳头来到这个世界上，离开这个世界时却摊开了双手。” 当然我们应该紧紧把握生活，因为它美妙得不可思议，充满了从上帝的每个毛孔里蹦出来的美。我们都清楚这一点，但我们常常只有在回首往事时才会想去过去，才会突然意识到过去永远地消逝了，才会承认这个道理。 我们都记得美的褪去，爱的老去。但我们更痛苦地记得美正艳时，我们却没有发现，爱正浓时，我们却没有回应。 关于艺术的英语文章阅读篇二 科学与艺术 I beg leave to thank you for the extremely kind and apprieciative manner in which you have received the toast of science.It is the more grateful to me to hear that toast proposed in an assembly of this kind. Because I have noticed of late years a great and growing tendency among those who were once jestingly said to have been born pre-scientific age to look upon science as an invading and aggressive force, which of it had find its own way, it would oust from the universe all other pursuits. I think there are many persons wholook upon the new birth of our times as a sort of monster rising out of the sea of modern thought with thepurpose of devouring the Andromeda of art.And now and then a Perseus, equipped with the shoes of swiftnessof the ready writer, and with the cap of invisibility of the editorial article,and it may be with the Medusa head of vituperation, shows herself ready to try conclusions with the scientific dragon. Sir, I hope that Perseus should think better of it. First, for the sake of his own, because the creature is hard of head,strong of jaw,for some time past has shown a great capacity for going over and through whatever comes in his way; and secondly, for the sake of justice, for I assure you, of my own personal knowledge if left alone, the creature is a very debonair and gentle monster.As for the Andromeda of art, the creature has the tenderest respect for the lady, and desires nothing more than to see her happily settled and annually pruducing a flock of such charming children as those we see about us. But putting parables aside, I am unable to understand how any one with a knowledge of mankind can imagine that the growth of science can threaten the development of art in any of its forms. If I understand the matter of all, science and art are the obverse and reverse of the Nature's medal; the one expressing the external order of things, in terms of feeling, and the other in terms of thought. When men no longer love norhate; when suffering causes no pity, and the tale of great deeds ceases to thrill. when the lily of the field shall seem no longer more beautifully arrayed than the Solomon in all his glory, and the owe has vanished from the snow-capped peak and deep ravine, and indeed the science may have the world to itself, but itwill not be because the monster has devoured the art, but because one side of human nature is dead, and because men have lost half of their ancient and present attributes. 请允许我为你们如此友善和赞赏地为科学干杯而深表感谢。我尤其感激在这般友善的大会上来为科学祝酒。因为事实上近些年我确实发现有些戏称自己是在前科学时代出生的人，正在酝酿一股很强大而且日渐强大的倾向，将科学视为入侵和占领的势力，而且若假以时日，必将我们宇宙其他的事物驱逐出去。我想有很多人认为我们的时代是从现代头脑中爆发的怪物，目的就是要吞噬掉艺术的安德洛默达。时不时的，还有一位珀尔修斯，脚蹬写作快手之超速鞋，头戴社论文章之阴形帽，或许还安着充斥漫骂之词的“美杜沙之脑”威风凛凛，大有与科学之龙一比高下的气势。但是，各位绅士，我劝这位珀尔修斯先生三思而行。首先，为了他自己的安全着想，因为这怪物脑壳坚硬，口鄂强壮，从它过往的经历可以看出它所到之处，势如破竹，所向披靡，无人能拦，实不易对付。再者，为正义说句话，我可以向你们保证，以我愚见，只要放任不管，它还是一个温而文雅，无比绅士的怪物。至于艺术的安德洛默达，此怪物穷其所有的敬仰，别无他求，只希望看到她能够安居乐业，每年都能生一大群如我们所见的快乐迷人的小孩子。 不过撇去那些比喻，我实在不能理解那些有一点人文知识的人为什么会担心科学的进步怎么就会威胁到艺术的发展。依我所见，科学和艺术实乃大自然这枚圣牌的正反两面，一个以情感的方式表达了事物的外在规律，而另外一个则是一理性的方式。当人类不再爱，也不再恨;当苦难不再引起怜悯;当壮举不再让人激动，当山野的百合花还比不上所罗门的荣光，当雪山之巅和万丈深渊不再博得敬畏，那么科学是真的统治了这个世界。但是那不是因为怪物吞噬了艺术，而是因为人性的另一面已经死亡，而是因为人类已经失去了他们从古到今的天性。 关于艺术的英语文章阅读篇三 中国古代建筑艺术 Chinese architecture is an independent art featuring wooden structures. It consists of various roof molding, upturned eaves and wings, dougong with paintings, vermilion pillars and golden roofs, ornament gates and gardening. All of these embody the maturity and artistic appeal of Chinese architecture. 7000 years ago, mortise and tenon and tongue-and-groove were used in Hemudu. The buildings of Banpo village had the division of antechamber and back rooms. Great palaces were built in Shangyin period. Bricks and tiles were used and the layout of Siheyuan emerged in the Western Zhou. There are even building drawings in Spring and Autumn and the Warring States periods passed down. 中国建筑体系是以木结构为特色阳的建筑艺术。传统建筑叫种屋顶造型、飞檐翼角、斗拱彩画、朱柱金顶、内外装修门及园林景物等，充分体现出中国建筑艺术的纯熟和感染力。七千年前河姆渡 文化 中即有桦卵和企口做法。半坡村已有前堂后室之分。商殷时已出现高大宫室。西周时已使用砖瓦并有四合院布局。春秋战国时期更有建筑图传世。京邑台栅宫室内外梁柱、斗拱上均作装饰，墙壁上饰以壁画。 In Qin and Han, wooden building tended to be mature gradually. Complex buildings, like Epang Palace, were constructed. Temples and pagodas developed rapidly in the period of Weijin and Southern and Northern dynasties. Glass tiles used in Sui and Tang made the building more glorious. The city construction in the period of Five dynasties and Song was booming. Luxury restaurants and shops with lofts and railings were very beautiful. Many palaces and private gardens built in Ming and Qing are reserved today, which are more magnificent and stately than that of the Song Dynasty. 秦汉时期木构建筑日趋成熟，建筑宏伟壮观，装饰丰富，舒展优美，出现了阿房宫等庞大的建筑组群。魏晋南北朝时期佛寺、佛塔迅速发展。隋唐时期建筑采用琉璃瓦，更是富丽堂皇。五代、两宋都市建筑兴22，商业繁荣，豪华的酒楼、商店各有飞阁栏槛，风格秀丽。明清时代的宫殿苑固和私家园林保存至今者尚多，建筑亦较宋代华丽繁琐、威严自在。 猜你喜欢： 1. 关于美术的英语文章阅读 2. 英语经典美文:重新振作的艺术 3. 英语经典美文阅读:品味现在 4. 关于精美英语美文阅读 5. 关于最美的英文短文阅读
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