飞天小杨杨
The Pianist is an astonishing and harrowing depiction of the breakdown, and restoration, of the human spirit by degrees, made all the more personal in the retelling by Roman Polanski's having lived in Nazi-occupied Poland as a child at the time of the events chronicled. The Pianist seems more about images than story, largely silent, and even devoid of music, until the end, when we're awash in glorious, redemptive concert. The film opens in Warsaw in 1939, with celebrated composer and pianist Wladyslaw Szpilman (Adrien Brody) performing the last live radio musical broadcast, Chopin's Nocturne in D, even as German bombs were exploding around him. Finally forced to flee when the radio station is hit, Szpilman rushes home to his family, who have always lived in privilege due to Wladyslaw's status as a musician.Szpilman and his family are able to escape deportation for a time by working as demeaned laborers for the Nazis, he has a piano player in a Jewish restaurant. When the rest of his family is rounded up in cattle cars and shipped to a concentration camp, he is again ironically saved by his music when he is taken aside by a policeman who admires his work and allowed to remain in the Warsaw ghetto. By now terribly fragile, Wladyslaw must fight for survival in the ghetto through hiding in the underground, censoring his behaviour, and relying on the kindness of old friends and strangers. Some of the most horrifying and wrenching scenes are those shown in silence: A man in a wheelchair being pitched over a balcony; people in the ghetto being forced to dance for the amusement of the Nazi officers; a starving man trying to wrest a pot of beans from a woman's hands, then groveling on the ground for the spilled food. Moving, too, is the scene where Szpilman is helped into hiding in a flat with a piano. Warned of the need to be quiet, he "plays" with his fingers inches from the keyboard, hearing the music only in his head.Most effective are the pivotal scenes between Szpilman (once again literally saved by his music, when he is forced to play what he is certain is his last piece) and the German officer (Thomas Kretschmann) who brings him food and a coat (which ironically is nearly the death of him). The Pianist is a beautifully written (Ronald Harwood), directed (Polanski), photographed (Pawel Edelman), and acted (Brody and all supporting players) tale of devastation and survival, a praiseworthy effort all around.
猴子kami
钢琴家电影观后感
钢琴家电影观后感，《钢琴家》观后感作文，写好作文需要反复总结经验，对学生而言作文是很伤脑筋的，作文的内核和内涵无人愿意了解，文采是点睛之笔，好的作文用词不在优美更在准确，看完《钢琴家电影观后感，希望对你有所启发。
这是一部描述二战期间生活在波兰的一位犹太裔钢琴家的故事，导演没有用浓重的炮火和血腥的屠杀来表达战争的残酷，他讲述了一个弱者的故事。
他曾是上层社会的儒雅绅士，是波兰最著名的钢琴家，然而德国人的到来改变了这一切，他们大肆迫害犹太人，使波兰的犹太人从50万直降到6万。影片中的钢琴家一直是个懦夫，他从来没有一丝反抗，他一直忍受、逃跑，经常可以看到他翻箱倒柜地找食物，他要的很简单，仅仅是生存。
看完电影，我经常回想起这样一幅图景，一个高大却虚弱的身体，带着一脸络腮胡子，狼狈不堪地跛行于已被完全破坏的房屋中，时不时地一些凶残的德国大兵目无表情地从空旷的街道上踢踏而过……我在想，这些士兵，他们真的明白这场战斗的意义吗?一张摆在军官桌前的全家福似乎在说，或许只是那个时代，那种环境造成了这一切，军人的职责永远只能是服从。
故事的结尾，一位德军高级将领帮助了这位钢琴家，是真的人性逆转吗?我想或许不是，或许只是因为他知道战争即将结束，或许他经历太多的血腥，需要一些心灵的救赎，我以为他只是一个人，而人心都是肉长的。有人说这段描述是为了煽情，而我了解到这的的确确是真实发生的事实。
听说钢琴家的原型出过一本书，真实地讲述了这段不堪的历史，但由于内容涉及波兰参与屠杀而被禁，很希望能知道书名，有机会一读，我，只想了解那段真实的历史。
影片的名字是钢琴家，但我们却极少听到琴音，或许那个时代不容许美的东西蔓延，因为温柔流淌的琴音会穿越人的心灵，洗涤人们心中邪恶的灵魂，或许那位军官也是被音乐征服了。我注意到这位钢琴师在自由年代弹奏的音乐是轻柔而舒缓的，好似一股暖流在身边环绕。而当他带着恐惧，在饥渴的状态中为那位德国军官演奏时，他手中流淌出来的音乐却似乎在咆哮，在斥责德国人的暴行，他以为这是他最后一次演奏了，懦弱的他用这种方式表达了一个犹太人的心情……德国军官没有怒，他似乎想明白一些道理，其实铁蹄下的沉寂才是最强有力的控诉，他知道他们能征服一个民族的肉体，却永远征服不了这个民族的灵魂……(我很想知道影片中的这几段钢琴曲是什么年代的曲子，原曲表达的是一种怎样的意境)
到此，我还时不时地回想起那个落破的像被缚的耶稣像的钢琴家，他怯生生地走进屋子，怯生生地演奏，他始终不忘抱着那个已经洒了大半的水罐，他实在太需要它了，所以仅管懦弱、仅管害怕，他却始终抱着它，就像守着自己的一笔财富……
我想，或许我们不需要用枪炮去表达残暴，也不需要用所谓壮举来展示人格魅力，一个普通人的一段剪影，或许就能很好地解释整个世界，这样的艺术表达才最真实，最撬动心灵……
有人说波兰人在这场战争中也表现的相当残暴，所以波兰人民不值得同情。我在想时间过去了这么久，过去的就让它过去吧，如何把这段历史真实地还原，让更多的人了解，让这样的悲剧不再发生才是实实在在的。记得影片的结尾处，那位小提琴演奏家帮助钢琴家找寻那位军官，虽然他也曾受过很大伤害，虽然他曾很愤怒向德国战俘吐口水，但他还是以德报怨，这是一种宽恕，对别人，也对自己。记得美国的南北战争之后，林肯总统被杀，临死前说“不要报复”，或许这也是我们这一代人应该学习的。
钢琴家的影片中有许多隐含的历史背景，如果之前不能很好了解，对这部影片的理解就会大打折扣。近期了解了一些二战的历史，但还是感觉不足够，未来要多了解，再回头看这部片子或许有不一样的收获。
前几天闲来无事，便在某奇搜腾电影，翻看翻看着，便发现了《钢琴家》这样一部电影。
第一印象便是这朴实无华的片名，《钢琴家》，便不是说是一个钢琴家或者是一个关于钢琴的故事喽?怀揣这这样的好奇，我观看了这部影片。
142分钟的影片却让看后的我的心久久不能平静下来。可讲的地方太多了，以至于让人不知从何说起……
那就简单说一些吧。
影片的开头是美好的，钢琴家做着自己喜欢做的事，过着自己想要的生活，有了自己心仪的女子，但突如其来的禁犹太令，让原本美好的人生被改写，所有的犹太人被迫搬迁到人为划分的犹太区，受尽侮辱，历尽险恶。犹太人仿佛牲畜一样被军官蔑视羞辱，也被世人所嫌弃。犹太人们被困在围墙中，他们失去了新鲜的面包，更失去了生而为人的自由。 而有些犹太人，不仅失去了自由，更失去了一个民族的节操，他们打骂同是犹太人的.别人而来显得自己高人一等，但殊不知在别人眼里，他们是那低声下气的狗，是比那些失去了自由的人还可怜的人。
这部影片中最让人印象尤为深刻的一幕，德国军官发现了藏身的男主，却没有杀了他，而是听着他的钢琴演奏陷入深深地回忆中，更甚于之后主动帮助男主给之于食物衣物。这位德国军官本性并不是坏的，而是由于战争的残酷而不得不去战斗杀戮，他不想死，所以在感受到钢琴家的求生欲后而引起共鸣。虽然最后他的确是死了，但这不是人性中美好的一面么?
战争，对于这个世界的危害是极大的，而对于一个家庭，对于个人，最痛苦的便是失去家人失去以前拥有的所有，而这些情况，在战争是最为常见的，活下来真的很不容易。影片极其深刻的以一个平常艺术家的亲身经历刻画出了战争的残酷，也表现出了一个人对生的渴望，让我们在跌宕起伏的剧情中厌恶战争而对生活抱以希望。总之，这是一部值得去看值得深思的影片。
印象最深刻的，是瓦列在雪中奔跑的那一段。漫天的白色，远处有行人走过。他们不会明白这个仓惶的男人经历了什么。而他需要多大的勇气，才能迈出那一步。
靠在墙上的时候，惊魂未定的他究竟在想些什么呢。
影片中对于人性的刻画已经被太多文字所赞美。那种客观的'视角，描述了整个时期的状况。客观到了近乎冷酷和精确的地步。
罗曼·波兰斯基导演在这部片子里更多地使用着第三视角转切第一视角，用主角的眼睛去看待战争的残酷。在表现屠杀和局部战争时，丝毫没有含蓄的成分，德军连续近乎荒诞的屠杀的场景被直白地表现出来。在街头无辜被杀害的流民，亲手杀死自己婴儿的母亲，不明白要拿钱做什么却执着兜售牛奶糖的孩子，没有人情的犹太警察，只因为问了一句话而被枪杀的妇女...这些都被审视的镜头表露出来，令人情绪沉重。
这是一首剖析人性的残酷悲歌。
犹太酒吧里，肖邦的音乐和自私地验证金币的商人，瓦列在极端困顿状况下依旧颤动的手指，在脑海里响起的旋律，在饥饿和恐惧中揉搓泥灰的双手，钢琴上端放的德国军服，依旧忧伤、动情的旋律。这些都是细节，而正是细节决定了影片的深刻。
而这部影片真正令我着迷的，则是它独特的视角。
艺术不是奢侈品，它的根基是为了让我们更好地生活，在绝境中让我们更坚韧.战争中幸存下来的人成千上万，每个人遭遇不同。瓦列是一个钢琴家，他有音乐傍身，比别人可能要坚强一点，柔韧一点，淡薄一点。他逃脱死亡的同时也在雕刻着死亡，带给我们一种生的期望，给我们勇气应对我们自己所遇到的一些挫折。
记得上课时，老师向我们分析这首肖邦第一叙事曲。说它是肖邦为了祖国和战争而写下的曲子。那时并不能够理解这其中的含义，匆匆记下了曲式分析要点，还有那些美丽的和声。好吧，该激情的地方，就激情。该柔情的地方，就柔情。当时的想法就是这样。然后到了上课时，老师很不满意地告诉我们，你们的演奏没有灵魂。你要去理解作曲家的感受。
此刻重新看了这部影片，似乎理解了老师想要表达的东西。因为那个德国的军官，居然让瓦列演奏肖邦的曲子。或许它表达了对和平的渴望，对战争的唾弃，然而美的事物终究是不分国界的。
瑾年凉薄
范文：In the film, although Spearman escaped from death again and again with the help of various friends and strangers, in that group of people, human nature is not always simple and great.
The pianist shows how the environment shapes people and makes people grow or distort in the "troubled times" with only terror, loneliness and instinct.
The impact of war on human hearts is beyond our imagination. What is more valuable is that the film lens is extremely calm and objective, avoiding all complaints and sensationalism.
该片中，斯皮尔曼虽然在各种朋友、陌生人的帮助下一次又一次死里逃生，但在那群人里，人性并不都是单纯的、伟大的。
《钢琴家》所展示的是，在只剩下恐怖、孤独和本能的“乱世”里的众生相，环境究竟如何塑造人，让人获得成长或者扭曲，战争对人类心灵的影响超出我们的想象。而更可贵的是，影片镜头极度冷静、客观，回避了所有控诉和煽情。
泡菜汤Ojz
The film, according to the Autobiography of Poland Jewish composer and pianist Wladyslaw Splman, describes the story of a Jewish pianist in Poland during the Second World War.
midnightdq
海上钢琴师英语观后感
看完某一作品后，相信大家增长不少见闻吧，记录下来很重要哦，一起来写一篇观后感吧。你想知道观后感怎么写吗？以下是我精心整理的海上钢琴师英语观后感，欢迎阅读与收藏。
A man, no parents, no names, no legal documents to prove his existence. In his infancy he was abandoned on a steamboat called the Virginia, and he spent his whole life on the ship, and did not step on the land. His profession is the pianist on the Virginia. When "the Virginian" abandoned, failed to change his friends to come to them and the last ship in the sea, sailing together to destroy the decision. The only trace of his life in the world was recorded, a record plate he played. Of course, most of the music in the record can not be heard, even if you do not know who on the other side of the sound.
In the luxury cruise ship Virginia sui generis sea world, named in 1900 1900 abandoned orphans grow up as a genius pianist at sea, on land first attracted talented pianists to challenge, but love also inadvertently come from the window, but at the end of 1900 was decided in the sea from the sea. But I think we can not care too much about these plots. I don't think this is the key point of the movie, because they have been done in many movies. Looking at the film, we should see his last line of monologue to the outside world in order to understand his final decision about going ashore.
The tanker Virginia is carrying the hustle and bustle of cheers at the port of New York. Encouraged by a dream in the dense mass of people disembarked, meet with the possibility of a better future. After the hustle and bustle, there was nothing left on the ship except the crew. Coal worker Danny Boodman then went to a restaurant secretly collecting the guest lost valuables, nothing. At the end of his disappointment, he found a beautiful baby on the piano rack. He picked up the baby and saw his eyes clear and the skin white. Danny Boodman was amazed at the unexpected harvest, so the child, named 1900, was named to be adopted by him on the first day of the new century.
In modern society, love in a different way to look at different from ordinary people, like that for 1900 people; people day and night chasing difficulties with glory, splendour, wealth and rank, complain to give vent, young time to complain about social injustice and social corruption, the authorities and the inability of generation always in the past, when the young generation of old have the position of the power, they forget when young ideal, but was the cruel reality of the society to change the world is such a generation cycle and the performance of human most incisive poor human nature, do a good many innocent people, but the innocent people in such a world of suffering temptation.
Then, the day playing in the hall of the legendary, and those infected people are fake? Why they disembarked, but no one to mention? Is really a genius? Or just on the ship is a ship, what all is not the man who won? What? Is that people continue to fast in the land, and he is still on the ship, when the ship will be destroyed but only one Max think of him. If the world on the land really cares about him and cares about his piano music, what is the end? Can you believe what the future of the ship they have depicted?
If I was 1900, I will have no illusions about what the people on the land, also won't have what to look forward to, it is a place that is endless, no one really cares for you, that is more than fear, because strange?
At the beginning, music was slow and beautiful. There was a touching note in the middle of the music. The end of the music was dull and miserable. This dull tragedy can make people shed tears. 1900, finally, with the explosion of the ship, it ended its life. When he died, he raised his hands and played the silent music, and he could hear him.
