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知雄守雌

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吉他的来源、功用   吉他的来源   关于吉他的来源,主要有两种说法:一是说来源由于希腊的吉他拉琴,是一种由罗马人传播下来的拨玄琴,后来演化成维卫拉琴。维卫拉琴是一种平背弹拨乐器,用手指演奏,作风典雅漂亮,与古典吉他相似。另一种说法来源于古埃及的鲁特琴,由阿拉伯的摩尔人传入欧洲,鲁特琴是一种曲背弹拨乐器,用手指甲扫玄,作风粗狂豪迈,与弗拉门科吉他相似。   吉他并不是一开端就有今天的样子,它曾阅历屡次改良。从四组复合吉他、琴吉他,其后经过一定的演化,成为今天的六玄琴。由于吉他的真正开展是在传到欧洲西班牙以后,所以有西班牙吉他之称。   吉他的多元功用   吉他的六根琴弦音色各异(琴越好,音色各异的特性越显著),相同的音阶能够在不同的琴弦上反复,停止比照,而且能够组合几根琴弦在不同的“把位”上弹奏出不同音色的和弦。就这一点而言,钢琴与竖琴都不如吉他,因而:  “吉他是半个交响乐队”──贝多芬语。   “吉他是更有意义的键盘乐器”──德彪西语。   演奏方式   吉他演奏办法主要有四种:一是用手指弹奏,但指甲容易受损,固常有人运用假指甲或在指甲上涂上能强化指甲的指甲油;二是运用弹片拨弦;三是用金属圆管演奏;第四种较冷门,是运用一种可带在手指上的指套来演奏。  二、吉他在电声乐队中所产生的作用   吉他效果对电声乐队所产生的作用   现代电声乐队中很多奇特的声音都是由电吉他发出的,这些奇特的声音是靠吉他效果器产生的。   电吉他已是人们熟知而又喜欢的乐器。它那诱人的音色和光芒绚烂的华彩独奏SOL0扮演令听众如痴如狂。由于它的出色表现才能,因此成为摇滚乐队中主要乐器,也令众多幻想当一名电声乐队里的吉他手的青年人所向往。为什么电吉他在电声乐中有如此出色的表现才能呢?那就是除了电吉他手的音乐涵养与娴熟的演奏技巧外,还有一个极端重要的要素,就是运用了当今先进的电声技术产物——效果器电吉他能够经过效果器改动它原来的音色。 医疗分类信息,增加诸如颤音、哇音、回族音、混响、回声、打击声、沙哑声、哨叫声等特殊效果。电吉他经过效果器的参加,使音色千变万化,从而极大限度的扩展了它的表现才能。目前,乐队里的电吉他乐手们,将电吉他直接插入音箱(扩音机),自始至终用原声停止演奏的已很少见了,大多数都经过二、三种效果器,依据乐曲的感情变化需求,适时地参加各种效果停止演奏,已非常普遍。电吉他经过效果器的调变之后,它原来的声音已“改头换面”,经过各种控制开关和旋钮的调校,能够产生奇丽无比的声音,外行人假如不是亲眼目击电吉他手的演奏,简直无法知晓这是电吉他的声音,还以为是电子合成器演奏出来的声音呢!电吉他以其独具弦乐器的传统技法与演奏方式的灵敏性、多样化,又具有电声乐器的音色变化多的特性,即便高级的合成器也无法与之比较。

有关吉他的论文题目

313 评论(13)

abcxiaohuge

按研究问题的大小不同可以把论文范文分、为宏观论文范文和微观论文范文。凡属国家全局性、带有普遍性并对局部工作有一定指导意义的论文范文,称为宏观论文范文。它研究的面比较宽广,具有较大范围的影响。反之,研究局部性、具体问题的论文范文,是微观论文范文。它对具体工作有指导意义,影响的面窄一些。另外还有一种综合型的分类方法,即把论文范文分为专题型、论辩型、综述型和综合型四大类:1.专题型论文范文。这是分析前人研究成果的基础上,以直接论述的形式发表见解,从正面提出某学科中某一学术问题的一种论文范文。专题应用型论文范文是一种运用所学的理论基础和专业技能知识,独立地探讨或解决本学科某一问题的论文范文,其基本标准应该是:通过论文范文,可以大致反映作者能否运用所学得的基础知识来分析和解决本学科内某一基本问题的学术水平和能力。当然,它的选题一般也不宜过大,内容不太复杂,要求有一定的创见性,能够较好地分析和解决学科领域中不太复杂的问题。2.论辩型论文范文。这是针对他人在某学科中某一学术问题的见解,凭借充分的论据,着重揭露其不足或错误之处,通过论辩形式来发表见解的一种论文范文。3.综述型论文范文。这是在归纳、总结前人或今人对某学科中某一学术问题已有研究成果的基础上,加以介绍或评论,从而发表自己见解的一种论文范文。4.综合型论文范文。这是一种将综述型和论辩型两种形式有机结合起来写成的一种论文范文。
317 评论(8)

deanzhou138

你再提炼一下吧The guitar is a musical instrument of the chordophone family, being a stringed instrument played by plucking, either with fingers or a The guitar consists of a body with a rigid neck to which the strings, generally six in number but sometimes more, are Guitars are traditionally constructed of various woods and strung with animal gut or, more recently, with either nylon or steel Some modern guitars are made of polycarbonate Guitars are made and repaired by There are two primary families of guitars: acoustic and Acoustic guitars (and similar instruments) with hollow bodies, have been in use for over a thousand There are three main types of modern acoustic guitar: the classical guitar (nylon-string guitar), the steel-string acoustic guitar, and the archtop The tone of an acoustic guitar is produced by the vibration of the strings, which is amplified by the body of the guitar, which acts as a resonating The classical guitar is often played as a solo instrument using a comprehensive fingerpicking Electric guitars, introduced in the 1930s, rely on an amplifier that can electronically manipulate Early amplified guitars employed a hollow body, but a solid body was found more Electric guitars have had a continuing profound influence on popular Guitars are recognized as a primary instrument in genres such as blues, bluegrass, country, flamenco, jazz, jota, mariachi, reggae, rock, soul, and many forms of Before the development of the electric guitar and the use of synthetic materials, a guitar was defined as being an instrument having "a long, fretted neck, flat wooden soundboard, ribs, and a flat back, most often with incurved sides"[1] The term is used to refer to a number of related instruments that were developed and used across Europe beginning in the 12th century and, later, in the A[2] These instruments are descended from ones that existed in ancient central Asia and I For this reason guitars are distantly related to modern instruments from these regions, including the tanbur, the setar, and the The oldest known iconographic representation of an instrument displaying the essential features of a guitar is a 3,300 year old stone carving of a Hittite [3]The modern word "guitar" and its predecessors applied to a wide variety of cordophones since ancient times and as such is a cause of The English word "guitar", the German "gitarre", and the French "guitare", were adopted from the Spanish word guitarra,[4] which comes from the Andalusian Arabic qitara (قيثارة),[5] itself derived from the Latin of the Roman empire, cithara, which in turn came from the earlier Greek word kithara (κιθάρα),[6] a descendant of Old Persian sihtar ( سی تار) (Tar means string in Persian)[7]The guitar is descended from the Roman cithara brought by the Romans to Hispania around 40 AD, and further adapted and developed with the arrival of the four-string oud, brought by the Moors after their conquest of Iberia in the 8th [8] Elsewhere in Europe, the indigenous six-string Scandinavian lut (lute), had gained in popularity in areas of Viking incursions across the Often depicted in carvings 800 AD, the Norse hero Gunther (also known as Gunnar), played a lute with his toes as he lay dying in a snake-pit, in the legend of S[9] By 1200 AD, the four-string "guitar" had evolved into two types: the guitarra moresca (Moorish guitar), which had a rounded back, wide fingerboard, and several soundholes—and the guitarra latina (Latin guitar), which resembled the modern guitar with one soundhole and a narrower [10] In the 14th and 15th centuries the qualifiers "moresca" and "latina" were dropped and these four course instruments were simply called [11]The Spanish vihuela or (in Italian) "viola da mano", a guitar-like instrument of the 15th and 16th centuries, is often considered a major influence in the development of the modern It had six courses (usually), lute-like tuning in fourths and a guitar-like body, although early representations reveal an instrument with a sharply-cut It was also larger than the contemporary four course By the late 15th century some vihuelas began to be played with a bow, leading to the development of the By the sixteenth century the vihuela's construction had more in common with the modern guitar, with its curved one-piece ribs, than with the viols, and more like a larger version of the contemporary four-course The vihuela enjoyed only a short period of popularity in Spain and Italy during an era dominated elsewhere in Europe by the lute; the last surviving published music for the instrument appeared in Meanwhile the five-course baroque guitar, which was documented in Spain from the middle of the 16th century, enjoyed popularity, especially in Spain, Italy and France from the late 16th century to the mid 18th [12][13] Confusingly, in Portugal, the word vihuela referred to the guitar, whereas guitarra meant the "Portuguese guitar", a variety of
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