期刊问答网 论文发表 期刊发表 期刊问答

关于中西方文化差异的论文1000字内容怎么写的

  • 回答数

    3

  • 浏览数

    348

向不向东流
首页 > 期刊问答网 > 期刊问答 > 关于中西方文化差异的论文1000字内容怎么写的

3个回答 默认排序1
  • 默认排序
  • 按时间排序

xiyudong

已采纳
差异如下:在饮食方面,中国人很注重形式,而欧洲人很讲实际再看看餐具的差别:刀叉和筷子在思维方式上的差别是:中国人思维比较抽象,西方人比较具体在生活态度上的差别是:中国人偏重精神感受,西方人注重实用。文化上:我们的东方文化主要是体现“和谐”观念这个观念注重的是人与天的和谐,人与社会的和谐,人与人的和谐主张一切都顺应自然,合乎天道尤其不提倡过分的干预自然人的一切活动都要在自然状态下进行在这种状态下,我们更注重人的精神生活,而不是物质生活我们的科学也更注重技术 西方人的文化更注重理性主张从根本上来认识世界,要运用理性思维来把握世界,并且积极改造世界,使世界来适应我们在这种思想下,人们更加注重物质生活而且科学也更注重理论的研究 消费观。人生来就要谋求生活,生活贵在质量。东、西方的消费观差异较大,西方的价值取向是以人生活质量为本,提倡“三为”和 “三不为”:一是为自己活着,不为别人活着,个性自由求质量;二是为今天活着,不为明天活着,敢于贷款超前消费;三是为这代人活着,不为下代活着,不紧衣缩食为子女攒钱。 7、隐私观。西方人尊重人性,不窥视和传播别人的隐私,比如年龄、收入、性生活等。寻问和讲究他人的隐私是最不道德和令人反感的事情。可东方人对个人隐私有一种莫名其妙的兴趣,私下里爱议论隐私,小道消息传播隐私,甚至把隐私作为整人的工具,乐此不疲,这是一种文化的愚昧和落后。 8、生育观。欧洲人都不愿生孩子,怕孩子多影响生活质量。所以一般西方发达国家都呈人口负增长态势,人口、资源和生态压力小。中国仍有相当多的人崇尚多子多福,养儿防老, 9。竞争观上的差异 一是要不要竞争。中国的传统文化是封建的儒教文化为核心。儒教强调中庸之道,过犹不及,以和为贵。而市场经济则崇尚竞争,强调商战打败对手,赢得自己的发展。从儒教看,竞争是不道德的。欧洲人认为,社会需要竞争,人与人需要竞争,竞争出动力,竞争出人才,经济才会在多元化竞争中得到快速发展。 是怎么对待竞争。西方人认为,竞争应该依法进行,提倡公开、公平,透明,提倡纵向竞争,向前发展,互相激励,用竞争为人类进步和经济发展带来了动力

关于中西方文化差异的论文1000字内容怎么写的

211 评论(15)

嘉嘉8856

一:天人之际与灵肉分离的宗教态度  人类宗教的发展都经过了一个从非理性的巫术与迷信向成熟的不排斥的理性宗教文明演变的过程,在非理性化的宗教中,神秘的巫术和不为人知的力量起着主导作用,理性化之后的宗教则拜托了这中神秘的力量,即宗教形式与世俗理论相结合,着重强调人为的可控制的因素。由于不同的文化在进行这个过程时选择了不同的尺度,使得宗教发展的方向和轨迹也有所不同,从而体现出不同的气质,在对待宗教的态度上,中国文化体现出对现实生活的热爱,具有人本的价值尺度,而西方文化则表现出了一种对超越的彼岸世界的向往,在价值上是以神为本。中西宗教文化的分途始于人类由原始信仰走向文明宗教的进程中。在这一进程中,出现了“轴心时代”的理论,在西方国家,轴心时代的意识是与远古的神话时代相对立的,是要以理性反对神话,就宗教理论而言,在轴心时代,原始宗教的诸神开始消失,宗教逐步的伦理化,原始宗教演变成为人文宗教。在中国,同时也经历了一场思想大繁荣,但并没有向西方一样因为意识到自身的有限而转向超越的无限,理性的发展也就没有像西方那样出现一元的超越神。所以中国在轴心时代的理性化是人文实践的理性化,这是一种人本化的转向。中国文化的这种基本气质,集中体现于儒家思想,儒家所考虑到是如何做人,即所谓修身的哲理与实践。在西方,人们把人生的意义和生活的信念寄托于上帝,寄托于超越世间的精神欢乐,反而把现实人生视为一种痛苦,作为基督教信仰核心的“被钉十字架上的耶稣”就是这种极端克己、牺牲显示追求与上帝同在的宗教精神的最好象征。这种宗教精神对西方社会的进步起到了一定的推动作用。 二:多元与一元不同的宗教信仰   由于中国人对待宗教信仰缺乏真正意义上的超越精神,因此在对待宗教和神灵的态度上也缺少西方文化的那种固执一端的宗派意识,因而他们对待各种不同宗教态度也较为宽容。由中国传统文化对现世的关注也使得中国宗教的超越意识一直没有被激发出来,在表象上就呈现出信仰的多元化倾向。在西方,宗教观念的流变表现为一个从多神信仰向一神崇拜的发展过程,一元的基督教上帝观取代了罗马帝国的多神观念,造成了深刻和广泛的后果,人们的世界观、价值观、人生观以及思维方式和行为方式都以此为转折点而发生了巨大的变化,整个西方社会甚至于政治经济体制全盘转型,影响极其深远。 西方的宗教文化发展源远流长,但其大规模对西方社会生活产生重大影响开始于公元一世纪基督教兴起之时,取得重大发展于罗马帝国时期,中世纪得到发展的极致,而宗教改革政教分离之后其对世俗事务影响虽有明显下降但仍然具有占据重要地位。纵观西方宗教发展的千年历史,不难得出其鲜明的超世俗主义特征的结论。《圣经》中对天堂和地狱的描绘、灵魂和肉体的分离;奥古斯丁“上帝之城”和“世俗之城”说法的提出;路德等宗教改革家“宗教只关注人的精神事务”的主张,都是这一论点的有力证明。对比中国的宗教文化,则显然呈现出世俗主义的倾向。儒家的经典文献中大量充斥着世俗主义的教导,如“未知生、焉知死”、“修身起家治国平天下”、“君子理想”等,都是强调个人在现世生活中的所作所为,而不形而上的对宇宙起源、生死等问题进行论述。儒教的世俗主义倾向亦为著名的社会学家马克斯韦伯在其经典著作之一《儒教与道教》早有论述。道教在早期的发展过程中呈现出自我境界的升华、个人厌世主义等特征,显然其教义与儒教相比要更接近于超世俗主义的标准。但在儒教在中国宗教文化中取得统治地位后,且在中国宗教服从世俗政府的体制下,道教亦不得不以世俗主义的精神对其自身进行修正。所以在随后的道教发展历史中,道教更多的演化成带有占卜算命谶纬性质的特点。佛教自从东汉传入中土以来,在带有明显世俗主义特点的中国宗教文化下,亦很难让其超世俗主义的特点得到中土文化的认同。所以在中国的文化体系中,佛教文化一直受到儒家文化的抵制、而其所取得的某些成就也大多是建立在吸收儒家文化的基础之上。不难看出,佛教的超世俗主义的特征在中国的宗教文化中的影响是有限的。明朝末年西方基督教曾一度在中国传播,但因为基督教义与中国的儒家文化存在巨大差别,因此很难得到认同。而在太平天国时期,洪秀全虽扩大了基督教在中国的广泛影响,但其成就仍然是在用儒家文化对基督教义进行改造的基础上取得的。在洪秀全所设计的教义中,其  超世俗性与西方基督教义相较仍有较大差距。当下中国,宣传的宗教观主流是无神论,所以世俗主义等关于宗教的概念亦无从谈起。如今在中国,除了部分教徒之外,大多数人都是不信教者,其世俗主义倾向不言而喻。基督教的原罪之说让人不断地忏悔以得到上帝的原谅,造就了西方人动态的心灵,惊醒的文化精神。因为基督教将人置于神与魔、灵与肉的不断冲突中,使人无法静静地消受生命,人必须超越这有限的现世生活,向来世的天国奋斗,所以人不可能安于现状。尼采等西方哲学家的审美人生观就是以张大个性为前提的,推崇生命的进化,高扬主体的意志力,强调个体的战斗精神。通过个人信念与努力,积极取得上帝的青睐来拯救自己。这种靠个人信念,通过持之以恒的个人灵魂深处的追求与奋斗而获得新生的理论是基督教教义的核心  三:逍遥与拯救不同的宗教体验  身处不同宗教文化的个体在心理和情感等方面有着不同的体验,这涉及人的内在精神世界,在强调现世人伦的中国文化当中,不同的宗教信仰体系都十分注重人的感性心理和自然生命,追求知性知天、穷神达化得境界,从而达到现实人生的最大快乐,这种追求乐感的文化与西方的最感文化形成了鲜明地对比。在中国文化当中,不同的宗教有着不同的宗教情绪和宗教经验,表现出不同的心里体验。但总体来说,无论是道教还是佛教禅宗,都表现出一种对于现实人生的关注和对自然生命的执着。禅宗是明净和澄清的宗教体验,而道教更注重人世间的欢乐,道教讲求以生为乐、以长寿为大乐、以不死成仙为极乐,与佛教的禁欲苦修相比,道教主张人通过“炼丹”就可以达到长生不老、得道成仙的目的。爱是基督教最大的律法,上帝之爱是基督教信仰生活的基本信条,基督徒借此有了爱感,通过爱感来承担现世生活的不幸和苦难,期待上帝之爱的呵护,这种爱感和罪感是基督教最重要的信仰体验,一边是上帝的“救”,一边是人类自身的“赎”,“爱”成为中间的纽带,这种“爱感”使基督教信徒们从沉重的“罪感”当中解脱出来,这种独特的宗教体验使得基督教被称为“爱的宗教”。 4:积极作用与消极的作用  在西方宗教文化发展的过程中,它是一个人们生活所离不开的精神支柱,扮演着极其重要的角色,并贯穿人们生活的方方面面,影响着人们的价值观念、思维方式和行为习惯,上帝是外在的,超自然地存在,人们带着虔诚的心向上帝求教。在中国文化中,自然、天道和人道始终是合为一体的,和谐的传统观念理论侵入人心,在中国人的思想意识当中占有重要的地位,所以人文主义色彩更较浓厚。中国文化注重的是内在世界,崇尚宁静淡雅,西方文化注重外在世界,崇尚有为与进取,是有其宗教文化的历史渊源。宗教是文化的灵魂,文化是宗教的形式。  受感性认识的影响,中国的宗教具有一种相对性、相容性和多元性,它可以和其它宗教并存,教义都比较开放,宗教领袖们也都具有一种阔大的胸襟,宽容的精神。中国人的这种感性包容精神体现出一种强烈的身体化倾向,注重感官的满足,注重生命的享受。认定肉体为自我之本源,肯定感性的生命过程为实在的现实。儒教的现实伦理,道教的养生与长生,佛教的“顿悟”感兴趣的都是现世的生活,是不脱离肉体感性的生活,它的永恒观是肉体的、现世和世俗的。彰显了中国文化的重世俗、重肉体、重感性生命的精神特征。 相对于中国宗教的相对性和相容性,西方的宗教具有绝对性和排他性。基督教神学以为,上帝的神性不可言传,超越一切概念。上帝作为宇宙第一推动力的自然神论,上帝乃事物发展进化的过程神论,上帝为宇宙和谐,秩序,规律的创造者和维持者的宇宙神论,上帝是绝对另一体的超越神论。尤其在欧洲的中世纪,教权高于一切,是衡量一切价值的最高准绳。同时基督教重视灵魂而蔑视肉体,体现了远离世俗,远离感性的特征。这种远离感性生命,对上帝的绝对信仰也体现了西方文化中的理性思维。
227 评论(12)

zrn2017

Western novels in comparison First, Western novels in the history of the development of Western novels are based on myths and legends of its In ancient times, science developed, out of fear of nature, the working people out of the imagination is the key to many of the world "God", describing the personification of God is a myth; who will describe the deified, that is China opened the world's Pan story, the story of San Juan Five Emperors, the West Greek mythology, Roman mythology, Norse mythology, and so on are all typical East and West, the original novel, is closely linked with the history, as historical records complement the China Pre-Qin prose in the fable, the Han dynasty in the history books, biographies, the Wei and Jin Zhi, Zhi-person novel; the West of ancient Babylon, "the United States and Ji Jia disabilities epic", in ancient Greece, "Homer's epic," "Aesop's Fables "And so on, fall into this category, fiction, novels such novels have been about the characteristics of fiction, it is still not the literary creation, directly from the private collection record, so this type of fiction plot is relatively simple, writing rough Ban Gu said, "On the Street Lane words, hearsay are made of" is a novel kind of accurate assessment of the China's Tang Dynasty, the novel is only from history and literature become a Tang Dynasty culture has developed, the author's ideas are more open, the legend came into being at this time, Li Zhaowei "Liu Yi Chuan", Po Chu's "Everlasting Regret," Wolf's "Everlasting Regret Chuan" And so on, are made in accordance with the creation of the For the fictional story of the Tang Dynasty more emphasis on imagination and literary talent, not just the history of the nature of things, but as the history of Zhi Zhi who is also the novel did not The Legend of the Song Dynasty to the novel on a gradual decline, which followed the rise of this so that after processing will become a scholar so many novel and Romance novels such as "Romance of the Three Kingdoms", "Outlaws of the Marsh", "Journey to the W" The author of such novels is the use of private creative and re-created to describe the circumstances of the touching scenes of brilliant and vivid active in shaping the character known, there are obvious story-telling style of Here by the redevelopment, it will become an independent literary creation rather than things to come together with the civil process, the representative of this type is the "Golden Lotus", it was an open and ordinary life on the road, the reality is that literature has come a long way The development of the latter's "A Dream of Red Mansions" in ancient China Geng Shiba realism to the novels of the "54" after the novelist began to learn from China's western fiction writing practices, and gradually out a new Western novels, is the "Renaissance" after the rapid development of The development of the Middle Ages novel near-stagnation in the West, 14, the end of the century "Renaissance" to overthrow the literature of the Church of control, 15, appeared in the western end of the century to promote freedom of thought and the liberation of personality in order to describe the reality of life and portray characters from all walks of life for the content of the Humanist novels, is to tie in with this type of novel anti-feudal Europe at the time of arising at the same time it also set the novel in the West to human describing the tone of the main Jiaqiu Italy's "Decameron", Spain's Cervantes "Don Quixote" is the kind of representative works of The resulting novel is a classical, elegant favor of its national language to standardize the writing of this novel in 17th century France's most well- As a note on behalf of Corneille's "Cid" neoclassical story of the rise of Western novels have been a language substantially The beginning of the 18th century to promote popular science knowledge, enlightenment of the public consciousness for the purpose of the Enlightenment novels, of which there are relatively well-known German Goethe's "Faust", the United Kingdom Defoe's "Robinson Crusoe" and the Swift "Gulliver's Travels" and so on, this type of novel to the emergence of the bourgeois revolution at the time to mold public In the 19th century, romantic fiction, realistic novels and critical realism novel turn to occupy the leading position in the field of Romantic novels, such as France Victor Hugo's "Notre Dame de Paris", Goethe's "juvenile Witt of trouble" and so on, imaginative, unusual ideas, language and imaginative, strong Efforts to reflect the reality of the novel is the essence of life, and depict typical life of a typical phenomenon in the United Kingdom Dickens, France and Germany are of such novels as a representative of the Critical realism novels exposed the efforts of the decadent feudal system and capitalist society, the dark, in-depth criticism of the reality of evil, France Balzac and Maupassant, the United Kingdom of Charlotte, Bronte, Russia's Tolstoy, Dostoevsky, the United States of a large number of writers such as Mark Twain's works belong to this Value today, the three novels in the West is still the most important of the three types of literary East-West novel on the history of the development of more or less the Second, the characteristics of the novel in the West In addition to the basic characteristics of the novel, the story of the West also have their own characteristics are as follows: 1, the traditional Chinese novel attention to the characters, language and the details of the description, in contradiction to the conflict to display the images, but the character of a single, small changes in the absence of the main Western novels are more people pay attention to the psychological description, stressed that mining figure in the subconscious mind, good at writing full, the changes in the strong sense of the main Again, "coach Lin Feng Snow Mountain Temple" in the figure is only through dialogue and action leads to contradictions and conflicts, but Anna Karenina Wogui before a series of conflicts only with his description of the psychological will be able to express their clear; for poetry in Lin In the performance of her literary talent, and Paul with his inner monologue of the ideal; Zhang Zhong-Yong has only the character, but Jane Eyre's character is the brave, strong, warm, kind-hearted, and so many of the character and rubbing and Cheng' In short, people in the area described in the West has its own unique 2, China compared with Western fiction novel plot twists and turns more and more complete Plot twists and turns, the story is complete fiction China's unique traditional The Wei and Jin Zhi Zhi people on the novel twists and turns with vivid Tang legend in the layout of many of the famous, magnificent anomaly, rigorous and clever, dramatic plot The contents of the Ming and Qing Dynasties novels scattered irregular, undulating waves, Cuoluoyouzhi, careful structure, an integral "A Dream of Red Mansions", everywhere She Fu, Hui turning point, the story of Jia's best Western plot in respect of the outstanding works, although there are many, but it can not be compared with the Chinese 3, concise and lively Chinese language novel, rich in content and rich Western Chinese folk artists absorbed the novel language, at the same time inherited the fine traditions of ancient prose, often a few words will be able to outline the incident or the Western novels in the author includes a broad range of knowledge, involve the community in many ways, so rich in content and rich people can gain knowledge in many Engels said he was in Balzac's novel about 19th century France's domestic situation than he received any reports are Western novels have different characteristics, and also in the West different aesthetic concepts to a certain extent 4, Western novels have been the rule of the feudal culture of oppression Chinese feudal culture makes the development of the novel is extremely difficult, Ming and Qing Dynasties more people to write stories for shame, so many great writers living, creating the conditions are not covered, many of the great works of authors who do not Western novels in the feudal culture makes almost the whole of the Middle Ages in the development of extremely slow, and many talented writers were forced to church services, wrote some of the religious nature of the article dry Third, Western novels in the future prospects for the development of End of the Qing Dynasty, China and the West have begun to understand the other side of the system, the advantages of the novel in the West have been constantly learn from each Of course, due to historical reasons, the Chinese side of the draw a little To this day, the novelist in the West efforts are still two researchers in the novel's artistic charm, although the different languages of each other's appreciation of the arts to a certain extent, but the United States are We have every reason to believe that in the near future, the novel art in the West will ultimately learn from each other and integrate, develop and reach new artistic References: "Foreign Literature" Shanghai Translation Publishing House Zhou Xu Liang "Contemporary Literature election," Zhang Zhong, such as Beijing University Publishing House "Chinese literature history of the development of" Shanghai Ancient Books Publishing House Liu Jie "Literary History of Europe" People's Literature Publishing House Yangzhou Han Wu Da-yuan Zhao Rui radish "Three high school language textbook used by the five dates of the" People's Education Press仅供参考,请自借鉴。希望对您有帮助。
342 评论(9)

相关问答