1、Beijing Opera translation: a great taskIn recent years， more and more foreign dramas and operas are being performed in Chinese However， it seems that chances for foreign audience to enjoy Chinese traditional operas are relatively fewer， resulting in an unbalanced exchange between China and the other foreign countries in the Beijing Opera， the very repress introduced to more audience of Chinese traditional operas， worth being of the entire M Elizabeth Wichmann-Walczak's version of Mei Lanfang's representative Beijing Opera work The Phoenix Returns to Its Nest sets a good 2、A brief introduction to Beijing OperaBeijing Opera (or Peking Opera) has existed for over 200 It is widely regarded as the highest expression of Chinese It is known as one of the three main theatrical systems in the Artistically， Beijing Opera is perhaps the most refined form of opera in the It has deeply influenced the hearts of the Chinese Although it is called Beijing Opera， its origins are not in Beijing but in the Chinese provinces of Anhui and H After absorbing the operatic tunes of regional operas such as Han Opera， Hui Opera， and Kunqu Opera， it became a genre of national significance and popularity during the 1790' The charm of Beijing Opera lies in the comprehensive form of stage It is an organic combination of script literature， the performing techniques of "singing， reciting， dance-acting and acrobatics"， music， painted-face make-ups and costumes， and so 3、Beijing Opera translationThe early attempts to bring Chinese drama to the West mainly consisted in translation of traditional Chinese opera lyrics， which served as literature for the purpose of reading rather than These include Xi Xiang Ii and a great number of other Yuan dynasty In 1741， Zhao Shi Gu Er， or as Edward Cave rendered it， Chau Shi Ku Eul: The Little Orphan of the Family of Chau， was translated into E Three English versions' of this play were published in London， translated respectively by Edward Cave， William Hatchett and John W Among the modern classics in Chinese modern drama translated into English were Cao Yu's Thundestorm by Wang Tso-Bang and AC Barnes and Wildness by James L Since the late 1970s， many new Chinese plays have been collected in anthologies of translations of contemporary Chinese 4、In this period， Peking opera became the most popular and economically developed form of urban stage entertainment in China and its actors， playwrights， and patrons were central figures in the popular imagination and cultural politics of the As a diverse group these actors and their allies worked within the context of a rapidly changing urban and national culture to overcome social and political discrimination and elevate their art to the level of internationally recognized cultural In the process， Peking opera was in many ways on the leading edge of modern transformations and experimentations in creating new meanings for popular theater， new dynamics of urban sociability， and new representations of gender， while at the same time serving as a symbol for a traditional culture that many sensed was receding under the pressures of
京剧的Beijing Opera， say again "PiHuang"， from "XiPi" and "TLC identification method for erhuang are two basic accent its component music material and sing some small places tunes (such as LiuZi cavity， ChuiQiang etc) and kunqu It formed in Beijing， time is in 1840 around， prevailed in the 1930s and 1940s， with "Chinese，" Now it is still have of the impact of national large It up comprehensive， performing mature， imposing manner macro beauty， is representative of the modern Chinese Peking Opera is China's "tranditional"， more than 200 years of In addition， "Beijing Opera" is a network with "terror term， meaning"
