辽宁导游证英文导游词

Foguang Temple The Foguang Temple is located on a slope of 32 kilometres to the north east of Wutaixian County , amidst a grove of trees. Construction be-gan during the northern Wei dynasty (471-499)m and the most famous of its halls, the Hall of the Great Buddha, is in a style unique to the Tang dynasty. It is the oldest wooden structure now extant. The hall stands on a high platform and consists of seven bays and measures 32 metres in height from the platform surface to the top of the ridge-end ornament. This magnificent wooden structure is decorated with murals of faces and figures. Foguang Temple was damaged in 845 during the Fifth Year O? the Reign of Wuzhong of the Tang Dynasty and rebuilt in 857 by Emperor Xuan Zhong of the Tang dynasty. Since it has under-gone renovation and reconstruction throughout the long history, so that only the existing primitive and simple and hexagonal Zhu Shi Pagoda (Founder of Buddhism) dates from the Northern Wei dynasty . ( In 845, Emperor Wu Zhong abolished Buddhism and burned down Buddhist temples including the Foguang Temple. After Xuan Zhong succeeded to the throne , the first thing he did was to restore Buddhism and rebuild Foguang Temple, also known as the Temple of Buddha's Halo. The temple of Buddha's Halo included : the Hall of the Great Buddha ( the Eastern Hall ), the Wenshu () Hall, the Shanmen Gate (Lokapala), the hall of Kasyapa , Wan Shan Tang Hall, Xiangfeng Huayu Building, wing-rooms and grottoes. All are masterpieces in ancient Chinese architecture. Now there are many Tang Dynasty statues, murals of faces and figures , stone (round or hexagonal)pillars with Buddhist inscriptions, inscriptions of Chinese calligraphy and white marble sculptures . Accompanied by the Wei and Tang dynasties stone sculptures , tombs , pagodas in and out of the temples they have been treasured in and out of China. The Hall of the Great Buddha , the main building, was built in the Tang Dynasty. It's plain and solemn in shape. On the gates and beams there are still many insc-riptions by the people of Tang and other dynasties. According to the inscri-ption on the stone pillar in front of this hall and inscription on the wall in-side the hall, the Hall of the Great Buddha was built in 857. As mentioned in the last paragraph, the hall stands on a high platform and consists of -seven bays with a totalspace of 677 square metres. Massive brackets are used under the caves. The various parts are so well-proportioned as to give the whole struc-ture and appearance of grandour and solidity. The brackets, the beams and the caissoned ceiling in the hall are neatly constructed and gracefully designed , so these structural parts serve also a decorative purpose. This hall is , indeed, a supreme work of art. It is a representative work of the Tang wooden framework architecture. In the hall, there is a spacious platform with three Buddhas and some attendants and consecrate Bodhisattvas on it. Sakyamuni is in the middle and two disciples b-eside. The other two Buddhas are Maitreya and Amitabha, Manjusri riding a lion is or the right and Samantabhadra on an elephnant on th left. In the ends of tne altar stand two giant Skt. Lokapalas. All of these statues are well proportioned and simply moulded. Although they were repainted by the other dynasties, the sculpture style of Tang Dynasty can still be seen on them. In the south of the Buddhist altar, a statue of a middle-aged womwn of Tang Dynasty, who was the benefactor of rebuilding the Hall of the Great Buddha,was vividly carved,with a serious and noole manner. The murals greatly remained in the Hall are mostly related to the religion. A longmural about 450cm long and 66cm high are divided into 3 distinct groups. In subject,matter the wall paintings of the central group centre on Jataka, fables and tales about the previous existence of Sakya-muni , containing murals of Skt. Avalokitesvara, Mahasthanaprapta and Bodhisa-ttvas . The other groups on both sides centre on Skt. Manjusri and Skt. Samantabhadra followed by worshipping Bodhisattvas , and Apsaras in the form of marching to a meeting. Donators are found on both sides, the northern ones in monk dress, the southern common . Technically speaking, these three groups of murals are as important as those of the Dunhuang Grottoes. The wall paintings back of the statue of tne Main Buddha depicted Skt. Loka-pala , , dragons and monkey. The images were depi?ted with light and forceful strokes followed the style of Wu Daozi, something like his picture entitled "Combing the Hills ". They also have a unique style of their own. They are the only earlier mural in the existing Chinese wooden framework architecture. Another hall is Wenshu() Hall, the architectural feature of which is less pillars were used. This is a model of ancient reducing pillar buildings. Built in 1137 during the 15th year of the Reign of Tian Hui of the Jin Dynasty , it is in the form of single eaved hip roof type, measuring 7 bay in width , 4 bay in depth. It has an elegant yet dignified appearance which marks it as the rarest specimen of ancient Chinese wooden architecture. On the top of the hall there is a glazed Pagoda. The whole tower has a simple but dignified appearance in beautiful color. It was built in 1351. The feature of the Jin architecture is unusually represented here. The inclined bracket set for Pu Zhuo under the eaves are especially large which is another feature of Liao and Jin Dynasties architecture. In the centre of the Temple of the Giant Buddhais is the statues of Skt. Manjusri and his six attendants in handsome complexion. TheseJin Dyasty relics are well decorated. Carved on the lower part of the entire walls are the Five Hundred Luohan dated from 1426-1435 during the Reign of Xuen De of the Ming front of the Temple of the Giant Buddhais is a Tang Dynasty stone pillar pagoda inscribed with sutras and the llth Year of the Reign of Da Zhong when the Temple of Giant Buddha was constructed. The other stone pagoda shape with sutras stands in the yard within the temple gate dated from 877 in the Fourth Year of the Reign of Qianfu of the Tang Dynasty . Pagoda is important part of Foguang Temple complex. On the left side of the Temple of the Giang Buddha is a two storeyed hexagonal structure pagoda. It is built entirely of brick. Inside the building, the upper is solid, the lower part hollow. Its pillar is decorated with Indian styled lotus known as Zhu Shi Pagoda , it evidenced the cultural exchange between India and China and dated from Northern Wei or Northern the side of the Fo Guang Temple there are six Tang or Jin Dynasty tombs. The 1230 year old Wugou Jinguan Pagoda was built in the period of Tian Bao reign of the Tang dynasty. The lotus throne upon which the Buddha sits is painted with white lime and covered with colored picture and lotus flowers in dark red and yellow color. It is the only specimen among the existing styles of temples. Besides, a similar form once appeared in the Dunhuang Grottoes paintings of mural. Relics of Foguang Temple is the cream of Tang's flourishing Buddhist culture and art. It is a treasure house of our national culture. Foguang Temple has been opened to the public.

1、关于自选导游词

自选导游词部分是我们可以事先就准备好的。所以对于这部分的内容评审的老师自然会要求的严格一些。

所以建议是不要去选什么城市概况、行程安排和民俗文化讲解，这样不容易出彩。

最好还是要选择一个景点做模拟的现场讲解，而且还要不是今年备选的那20篇以内的。

因为要求的时间是3到5分钟那么导游词的字数一定要控制在1000字以内。所以你可以找某个景区内的某一主要景点进行讲解。要求是一定要说得完整，而且顺畅。

导游证考试讲解的过程中注意一定要有欢迎语，就是我给大家总结的那些导游词的第一句，例如“欢迎大家来到*****地方游玩，我是大家的导游***，现在我们所在的景点是****”。

还要有结束语，举个例子“我们这个景点的讲解就到此结束，大家有一个小时的时间游览拍照，一个小时后我们在****(什么地方)集合”

还有需要注意的点就是“如果在讲解过程中，融入歌曲、诗歌、谜语、笑话和故事等能体现考生个人素质和才艺的内容，更能博得考官的认可。”

翻译过来就是，如果景点讲解过程中能唱两句歌(比如说丹东鸭绿江桃园的时候唱两句《在那桃花盛开的地方》)，或者再不济在介绍景点的时候说两句相关的诗句也是好的。

最主要的就是有创新，能吸引考官的眼球。不过不要太夸张，太不着边际与景点无关的就更不要生搬硬套了。

2、关于规定景点讲解(抽签的景点)

导游证考试这部分的讲解时间一样是3到5分钟。这里有一个硬性的要求，就是在景点讲解前要加上辽宁省简介，和景点所在城市的简介。在景点讲解完要有结束语。

这三个部分各准备三五句话，那么我们导游词要背的量就减少了。只要把景点概况和主要景点讲解一下就可以了，所以这两部分加一起大概1000字就可以了。

但是在准备辽宁省概况和城市概况的时候一定要注意不能说得过多，景区景点得介绍才是主要内容，不能主次不分了。

最后就是结束语，可以借鉴上面的总结，但是这个结束语必须包括的内容有总结景点得内容，感谢大家得支持，最后希望大家载此光临，最后祝福大家旅途愉快。

可发挥得空间还是很多的，建议大家在事先先把辽宁省概况、城市概况和结束语准备出来，并且背好，那就能做到事半功倍了。

3、关于规定景点讲解再多说一句

如果你数学学得好得同学就会知道，因为是抽三选一得原则，所以有两篇导游词是可以不准备的。

就算你运气特别不好，导游证考试两篇没准备的都抽到了，第三个抽到的一定是你准备过的。这么说你懂了吗?

辽宁省导游证考试导游词如何准备小编就说到这里了，祝愿各位考生都能认真备考，顺利通过考试。更多关于导游证考试的备考技巧，备考干货，新闻资讯等内容，小编会持续更新。